Bread & Roses, curated by Matthew Leifheit for Der Greif
https://dergreif-online.de/guest-room/matthew-leifheit/

https://brooklynrail.org/2019/02/artseen/Venceremos-Resisting-the-Rise-of-the-Far-right-in-Brazil

‘ordinary violence,’ performance with terri witek at the atlantic center for the arts.

photos by jared alan smith (1) and urayoan noel (2, 3)

tatianeschilaro

An important tbt: last Friday@_annexband@heklerkehosted the first AnnexB Fórum, “Against Nostalgia,” with the special participation of@cyriacolopesand presented by the ACCA group, formed by me,@raphaelamelsohn,@yudirafaeland#felipesteinberg. We had a great conversation at the end with the participation of other artists and scholars. Thank you so much@_annexband@heklerkefor opening that space. Thanks so much to everyone who came! Swipe through to look at pictures of all presentations.#Repost@heklerkewith@get_repost
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AnnexB's (@_annexb) inaugural AnnexB Forum meeting hosted by HEKLER Medium, Against Nostalgia, and the ACCA Workgroup, formed by Tatiane Schilaro (@tatianeschilaro), Raphaela Melsohn (@raphaelamelsohn), Yudi Rafael (@yudirafael) and Felipe Steinberg.

Crimes Agains Love, by Cyriaco Lopes (@cyriacolopes), Associate Professor and Deputy Chair of the Art and Music Department, John Jay College/CUNY, memorializes victims of intolerance and violence against LGBTQ+ individuals and communities.

Thank you everyone who joined us in discussion about authoritarian forces in current political climate in Brazil and the history of indigenous resistance.

AnnexB Forum is a series of open discussions about themes related to art made by Brazilians and their relationships to the United States.
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HEKLER is an interdisciplinary collaborative platform that fosters critical examination of hospitality and conflict. HEKLER organizes events, exhibitions, and discussions with art practitioners, cultural workers, and community organizers that take place at venues provided by HEKLER, collaborators and allies.
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ACCA’s goal is to develop an ongoing discussion on the effects of authoritarianism to the production of art and its institutions, focusing on Brazil, but also bringing examples from other countries.

Talk about Brazilian Art at the Museum of Modern Art in Rio. Part of Stetson's MFA of the Americas visit to Rio.
https://www.stetson.edu/other/academics/programs/creative-writing-mfa.php
(image by Pablo Vindel)

Reading of Laura Mullen poem and then my translation. Oi Futuro Flamengo. (photo by Mary Duerksen)

Talk by Lenora de Barros at MAR (Museu de Arte do Rio), as part of Stetson's MFA of the Americas (Poetry in the Expanded Field) visit to Rio.
https://www.stetson.edu/other/academics/programs/creative-writing-mfa.php
(Photos by Laura Mullen and Delila Smalley)

Anthology of Contemporary Poetry from the U.S. 
A concept by Alberto Saraiva, curated by Terri Witek, translated to Portuguese by me, and produced by Shirley Fioretti. 

Lançamento da Antologia de Poesia Contemporânea Estadunidense no Oi Futuro Flamengo. Leitura dos poemas de Terri Witek com minhas traduções.

'inconvenient spectrum' at kedi art gallery, izmit, turkey. curator dmytro goncharenko
(photo 3 by dmytro goncharenko, photo 5 by Ольга Мальована)

participation on miranda friedman performance at kedi art gallery, izmit

photo alp aslan

PRONE -  a collaboration between cyriaco lopes, laura mullen, terri witek - was published by interim, vol 35, issue 2 - https://www.interimpoetics.org/35-2-contents/?rq=mullen