Added on by cyriaco lopes.

cyriaco lopez, S&M (saints & martyrs), 2022, Pigment print on archival paper mounted on cradled panel, 15 × 15 in, 1+1AP

Night Garden

Group show
Curated by Leonora Loeb and Elisa Soliven-Gerber
Opening on June 22nd, 2023, from 6 PM to 9 PM
On view until August 6th, 2023

Featuring works by Inna Babaeva, Heather Bursch, SiSi Chen, Braxton Congrove, Priscilla Fusco, Jaye Kim, cyriaco lopez,

Keisha Prioleau-Martin, Heidi Norton, Rob Raphael

Tappeto Volante is pleased to present Night Garden, our summer group show organized by Leonora Loeb and Elisa Soliven-Gerber, featuring work by Inna Babaeva, Heather Bursch, SiSi Chen, Braxton Congrove, Priscilla Fusco, Jaye Kim, cyriaco lopez, Keisha Prioleau-Martin, Heidi Norton, and Rob Raphael.

As we enthusiastically move into the summer months of rooftop gatherings, backyard barbeques, and evenings in city parks and rural spaces, we celebrate the potential wonder, mystery, and sensory intoxication of our communal gatherings. The works in this show awaken the ecstasy of summer while at the same they evoke connotations of dream states and mortality. We invite viewers to explore works in ceramic, glass, metal, mixed media, and photography where suggested nocturnal narratives, in between states, missing pieces, and ecstatic gestures come together in celebration of all that is the limitless potential imagined within the Night Garden.

Added on by cyriaco lopes.

we are given to the wind and are scattered' ~ una biblioteca limítrofe

'we are given to the wind and are scattered' ~ una biblioteca limítrofe

THE LIMINAL tiene el placer de invitarte a la inauguración de la exposición colectiva 'we are given to the wind and are scattered' ~ una biblioteca limítrofe comisariada por Melanie Teresa Bohrer y Pablo Vindel, el próximo jueves 20 de abril de 19:00 a 21:30. La propuesta pone en valor la colección de libros de artista de la galería y especial atención a tres piezas: CUT OUT de Emma Shapiro, EXIT ISLAND de Terri Witek con la colaboración de Cyriaco Lopes y [UNTITLED] que nace de la práctica colaborativa de los comisarios.

Además, el viernes 21 de abril ofreceremos visitas guiadas de la mano de los comisarios y artistas en dos pases de 45 min: a las 12:00 y a las 18:30. El aforo máximo para las visitas guiadas será de 10 personas. Puedes inscribirte en info@theliminal.es, donde solamente necesitamos que nos facilites tu nombre, primer apellido y a qué pase deseas asistir.

¡Te esperamos!
https://theliminal.es/programming/we-are-given-to-the-wind-and-are-scattered-una-biblioteca-limitrofe/

 

Added on by cyriaco lopes.

our show at arco madrid won a special mention by the jury (Ilga Minjon, Lluís Alexandre Casanovas and Marta Papini)!

we participated in the ‘opening by allianz’ curated section of the art fair (curated by Julia Morandeira and Yina Jimenez Suriel). Pablo Vindel created an intelligent, beautifully installed exhibit for the Liminal Gallery, E_l_ _a_i_r_e_ _c_o_m_i_e_n_z_a_ _a_ _t_o_m_a_r_ _l_a_s_ _f_o_r_m_a_s_ _l_e_n_t_a_s_ _d_e_l_ _m_ár_m_o_l_ , which weaved the work Terri Witek and I do together, with the work of Lemos and Lehmann, a duo of duos, as he called it. I am super happy for the gallery for placing work of our fellow gallery artists (including at the reina sofia!) and for a great press coverage.

Added on by cyriaco lopes.

How wonderful to have the work be ‘historicized’ in this retrospective of the 40 years of Faux Mouvement, the great art institution in Metz, France, by the brilliant Patrick Nardin. What an honor it was to show there with 2 of the best experimental artists working in Brazil since the 1990s, Edson Barrus, and Yan Beauvais, in 2005. in the book, the works are grouped thematically, and my ‘Beijos de Lingua,’ appropriately, is in the chapter, ‘Le mot, la phrase, l’énouncé.’

the video (which in Metz was a video installation), is an example of the text-based work that i have been doing since the 1990s, and it can be seen here:

http://cyriacolopes.com/tongue-kisses

L'histoire du centre d'art contemporain de Metz sur quatre décennies, en 500 pages.
https://www.lespressesdureel.com/ouvrage.php?id=9173&menu=0